This book, winner of the 2022 Booker Prize, is an incredible combination of an imaginative and almost wild storyline, abundant humor, a scathing commentary on Sri Lankan politics in the 1980s, and thoughtful character sketching of the main protagonist and supporting actors.
The premise of this book bears some resemblance to George Saunders' 2017 novel, Lincoln in the Bardo, that revolves around Abraham Lincoln's deceased son and various other characters, all situated in a realm between life and rebirth. Saunders incorporates real historical events from Lincoln's life into his narrative. Similarly, this book follows the journey of Maali Almeida, a photographer who wakes up dead and finds himself in the afterlife. He has seven days, or "moons," to move on or risk being trapped in the afterlife. Karunatilaka sets his story against the backdrop of the communal unrest in Sri Lanka during the 1980s.
The plot elements are zany and absolutely delightful and include a 42 storeyed afterlife waiting area, wind as the main form of transport, demons and other Sri Lankan mythological beings, a talking leopard and the important role of an Elvis Presley album. Karunatilaka’s writing is half-part humourous, especially when he comments on everday life in Sril Lanka during that period — “Lankans can’t queue unless you define a queue as an amorphous curve with multiple entry points”, and half part philosophical — “Evil is not what we should fear. Creatures with power acting in their own interest: that is what should make us shudder”. Karunatilka also uses an interesting second-person narrative style which I thought somehow immerses the reader better into the book. There is a fair amount of reference to Sri Lankan events in the 1980s and the roles that various entities such as the government, the JVP party and the Indian army played but that should not be a constraint for a reader not familiar with these events. Karunatilka also helpfully incorporates a cheatsheet early on in the book to underscrore these entities.
But most importantly, Karunatilaka is able to flesh out the various characters really well — Maali’s lover, his lover’s cousin and father, a dead JVP activist, a blind astrologer, and several others. Maali Almeida’s character development through the events over the seven days as well as through flashbacks, is particularly well done. He is introduced to the reader as “Photographer. Gambler. Slut” right at the beginning of the book but we gradually then begin to understand his motivations and principles as the story progresses towards his inevitable redemption.
Pros: Zany plot, humorous writing, fleshed out characters
Cons: Nothing significant
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